I started a new band today, meaning I started on the actual weaving part today. I’ve been working on the warping part for two days already.
Let me explain.
I wanted to try a patterned band with two close colors, in this case gold and a reddish-brown. I’ve seen fabrics done that way before. You can see the pattern that’s been woven in, but rather than popping out at you, it’s understated. If you’re standing thirty feet away, you might not notice the pattern, but as you get closer, it first starts to look like texture, then, closer still, and it resolves into a pattern that you can see. It strikes me as elegant that way; I don’t know why. But I wanted to try it.
The problem I had was that I didn’t want to do it on my inkle loom. I’ve been working my way up to wider and wider pebble weave bands…I had forgotten how much I love pickup weaving, and I’ve learned so much more about it since picking up the books I mentioned in the last post. So the width I was going to try was a good bit wider than what I had been doing before, and I knew the inkle pegs weren’t really long enough for it. It would take the warp, sure, but the threads would be running close to the edges of the pegs, and the second I had to advance the warp, I would have to contend with threads falling off, which I did not want to do. And Moya still has a warp on her, so that wasn’t an option either.
But my Big Wave didn’t have a warp on, and was more than capable of what I was planning, so I got started creating the warp. As I’ve been working in the living room, not the studio, in order to spend time with the family, I didn’t want to deal with the warping board. Not even the smaller one. My solution was to use the dragon inkle to create the warp. On the surface, great idea. In execution, not so much. For one thing, I warped it as an inkle, which means I didn’t have the warp cross, so when I took the warp off to put on the Wave, what I wound up with was a mess. I was still optimistic though. It wasn’t a huge warp, only 48 ends. I could fix this, right?
Uh…no. I could not.
After several hours of rather inventive cursing on my part, I called it quits. I was just going to have to use the smaller warping board and start over from scratch.
Having to throw out perfectly good yarn without ever even having used it makes me angry with myself. And maybe “perfectly good” is really the wrong way to think of it, because by the time I gave up on it, it was a snarled up mess. I cut it off the loom, very gently placed the loom on the hearth in front of the fireplace, very gently placed the inkle in the studio, very pointedly did not swear or hurl anything against the wall, and walked away till morning.
In the morning, I pulled out the small warping board and proceeded to create the warp properly, and then moved it to the Wave. Here’s where things became more adventurous: I had never warped the Wave for inkle weaving before, only for tablet weaving, wherein the heddles are the tablets, and where the warp doesn’t go straight from the front beam to the back, at least I don’t do it that way. For me, tablet weaving on the Wave involves the warp going from the back beam, over the castle, and down to the front beam. For inkle weaving, though, actual heddles are required, and they’re present on the loom, which carries two harnesses. Well, I also didn’t want to use both harnesses, since this wasn’t going to be a plain weave project. Most of pebble weave seems to involve a high amount of pickup weaving, or warp manipulation. Before each pick, I spend a minute using my hands to sort through the warp strings. This one comes up from the bottom shed, that one drops down, that one gets skipped…It’s a challenge!
I decided one harness was enough. 24 strings went through heddles, the rest went between the heddles. Hooray! Tied on and ready to go. I started weaving a couple of plain weave rows, and then realized I had done something wrong.
In pebble weave, with certain sheds, the shuttle should enter from the left, and with the second shed, you should be entering from the right. Somehow, I had it reversed, which might have actually worked for a left-handed weaver. And while I am left-handed, one thing you come to grips with as a lefty early on in life is that almost nothing is created with left hand instructions. As it happens, Laverne’s books do give an explanation for lefties, but I’ve gotten so used to following directions for right-handed people that sometimes, it’s easier for me to wrap my head around doing things that way than trying to do it in mine.
This was one of those times. For lefties, the pattern is read from right to left. For everyone else, left to right. And after years of reading left to right, for me, it’s impossible to read text normally, switch to reading right to left, and back again for more text. I could not do it. In the end, I adjusted my warp with popsicle sticks and finally got it right. This morning, I was finally able to get started!!